The photo I printed is this one below that I shot using my Yashica Lynx 5000 with Rollei RPX 25.. However, I'm not really sure I am going to go with this image after all. I mean, it's lovely, I know, but I'm really thinking I have a better image for the exchange..
Yashica Lynx 5000 - Yashinon 45mm 1.8 - Rollei RPX25 - Printed on Agfa MCP310 Semi-gloss RC paper |
So maybe it'll be the image I send off around the world, or maybe it'll be something different..
But when I was setting up to do the actual Print itself, I decided I was going to get a shot for my Zeiss Ikon Project.. Sure enough my Ikonta was loaded with a near finished roll of Portra160NC. I had my lightmeter on my photo to get an ambient reading with my red LED light... Sure enough it read... ƒ/4 10s ... Crap that's leaving too much to chance on focus and framing being absolutely near perfect..
OKAY stop down to ƒ/5.6 for that much wider a margin for error.. Good 15s... Reciprocity plus less than ideal film colour sensitivity range... frig.. 30s I have to hold still... while depressing the shutter release cable... All the while trying to pose like I was examining a projected negative to try to determine the best framing for a print...
OKAY stop down to ƒ/5.6 for that much wider a margin for error.. Good 15s... Reciprocity plus less than ideal film colour sensitivity range... frig.. 30s I have to hold still... while depressing the shutter release cable... All the while trying to pose like I was examining a projected negative to try to determine the best framing for a print...
Darkroom Selfie - Zeiss Ikon Super Ikonta 530/2 Novar Anastigmar 105mm ƒ/3.5 @ ƒ/5.6 30s Exposure Kodak Portra 160 |
So you can achieve the unlikely in one take on film.. It's the only frame I wanted to use and it worked perfectly the first time around!
Until next time, keep those shutters firing!
Until next time, keep those shutters firing!
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